Few still-perfectly-decent games have felt as desperate a disappointment as this one. South of Midnight is gloriously pretty, a game of sumptuous environmental detail and rich attention. It’s one of the best sounding games I’ve played in an age, with a highly unique, artfully implemented original score woven into its sound design. And it’s also extremely well acted, a cut above the vast majority of video games in emotional authenticity and heft. But goodness me can it get tiresome to play.
